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Art is talking about what people do not want to hear, it is not pleasing." Manuel Martín Cuenca ('The daughter')

 ' The daughter ' is already in our cinemas. The last dose of suspense icily calculated Manuel Martín Cuenca puts us on the phone with one of the most unpredictable filmmakers of our cinema. We chatted with the director about his great new movie. Tension and containment Kiko Vega (KV): Did you feel more pressure after the success of ' El autor '? Manuel Martín Cuenca (MMC): No, not really. I feel the same pressure with every movie. Be aware that you can be wrong, but I have gotten used to taking as many risks as possible and making it a game. I'm not afraid to take risks . Also as I shoot outside the city, I isolate myself, I stay to live where I do it, and I don't have that pressure: I enjoy it to the fullest and if I'm wrong I'm wrong. But in life you have to take risks and play and make each movie differently. You still put the stamp on it, even if you don't want to, unconsciously. KV: In the film what you say breathes a lot, tell me about the loc
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Day of the Dead', a humble and funny revival of the zombies of the purest series b

 Before we begin, a word of caution for the most purists : if you can't tolerate George A. Romero's name being taken in vain, steer clear of the hilarious ' Day of the Dead ' that SyFy just released. The series created by the nostalgic Jed Elinoff and Scott Thomas is a perfect example of anti-'The Walking Dead ' evasion . The return of the living dead Elinoff and Thomas are the creative team behind 'The Banana Splits Movie', 'Celebrity Deathmatch' or some more current stages of Scooby Doo or The Flintstones, so they know something about this from the series b more focused on laughter and blood than in fear and dismay. For their new proposal, they also have Steven Kostanski in production and in front of the first four episodes, something that can be seen in his beautiful approach to decomposing meat, practically video store meat. Inspired by the zombie universe of Romero , who first brought the undead to life in the seminal 1968 film, the showrunn
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